Today at church, our first reading for Trinity Sunday was Isaiah 6:1-8.
In the year that King Uzziah died, I saw the Lord sitting on a throne, high and lofty; and the hem of his robe filled the temple. Seraphs were in attendance above him; each had six wings: with two they covered their faces, and with two they covered their feet, and with two they flew. And one called to another and said:
‘Holy, holy, holy is the Lord of hosts;
the whole earth is full of his glory.’ Isaiah 6:1-3
The second reading was Revelation 4:1-11.
After this I looked, and there in heaven a door stood open! And the first voice, which I had heard speaking to me like a trumpet, said, ‘Come up here, and I will show you what must take place after this.’ At once I was in the spirit, and there in heaven stood a throne, with one seated on the throne! And the one seated there looks like jasper and cornelian, and around the throne is a rainbow that looks like an emerald. Around the throne are twenty-four thrones, and seated on the thrones are twenty-four elders, dressed in white robes, with golden crowns on their heads. Coming from the throne are flashes of lightning, and rumblings and peals of thunder, and in front of the throne burn seven flaming torches, which are the seven spirits of God; and in front of the throne there is something like a sea of glass, like crystal.
Around the throne, and on each side of the throne, are four living creatures, full of eyes in front and behind: the first living creature like a lion, the second living creature like an ox, the third living creature with a face like a human face, and the fourth living creature like a flying eagle. And the four living creatures, each of them with six wings, are full of eyes all around and inside. Day and night without ceasing they sing,
‘Holy, holy, holy,
the Lord God the Almighty,
who was and is and is to come.’
And whenever the living creatures give glory and honour and thanks to the one who is seated on the throne, who lives for ever and ever, the twenty-four elders fall before the one who is seated on the throne and worship the one who lives for ever and ever; they cast their crowns before the throne, singing,
‘You are worthy, our Lord and God,
to receive glory and honour and power,
for you created all things,
and by your will they existed and were created.’
The imagery in these passages causes my imagination to run wild. I want to see them in a painting.
In the first, the Lord sits on the lofty throne with his train filling the temple, and the six-winged seraphs hover with their wings positioned just so. This could be painted.
In the second passage, the imagery is much more complicated and detailed. The one on the throne looks like cornelian and jasper? How would you paint that? A rainbow like an emerald? The elders in the white robes and golden crowns, the flashings of lightening, the flaming torches, and the see of glass would be easy - if you were an artist. The four living creatures, like to a lion, an ox, a human, and an eagle, with all the eyes, inside and out, each with six wings - that would be a challenge.
I'd like to see an attempt. Has it perhaps been done? Is there a half-mad mystic of an artist who tried? Someone like William Blake, perhaps?
The imagery of the twenty-four elders falling down and casting their crowns before the Lord has, for some time, signified to me the proper attitude of heart when we gather together to worship God.
To finish off, I'm stealing this poem on the Trinity by John Donne from Aghaveagh at The Moon By Night:
BATTER my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend;
That I may rise, and stand, o'erthrow mee,'and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to'another due, 5
Labour to'admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd, and proves weake or untrue.
Yet dearely'I love you,'and would be loved faine,
But am betroth'd unto your enemie: 10
Divorce mee,'untie, or breake that knot againe;
Take mee to you, imprison mee, for I
Except you'enthrall mee, never shall be free,
Nor ever chast, except you ravish mee.
The final three lines are magnificent.
Aghaveagh says of the poet:
Today is the feast day of John Donne, priest. I have always felt an affinity to Donne. For him, belief is a turbulent, violent maelstrom. Whether tumbling into lustful union with his mistress, or wrestling with his faith, his is, as he puts it, a "holy discontent."
Surely, this post must appear to be the ranting of a half-mad (not holy) discontent.
The utter awe in the Isaiah text has, for me, been most embodied by the choir anthem of David MacKay Williams, In the Year That King Uzziah Died. I first heard it on an old LP recording released by Aeolian Skinner (organ builders), and I think it was recorded in Kilgore, TX (or was it Shreveport, LA?... mmmm... memory going).
ReplyDeleteAnyway, over the years, I've done it more than a few times. Takes a largish choir and a good thunderous organ. Try to hear it.
David, I will try to hear it.
ReplyDeleteI second David's comment and regret never having had the resources to perform it.
ReplyDeleteMimi, try here..
ReplyDeletehttp://www.all-art.org/manuscripts/Apocalipsis/01.html
There are several paintings that might get you going! Click on the various chapters under the main heading on the right. Check out the Angels art.
The whole site looks interesting, but I have such a slow modem that it takes forever for me to be able to view most of it.
Your church must still be using the BCP lectionary - the RCL has Proverbs 8:1-4, 22-31
ReplyDeleteWow, Susan! I didn't search online before I put up the post. My man Blake was in there. Very satisfying. Thanks for the link.
ReplyDeleteAnn, I suppose you're right. Sometimes we line up with the Lectionary, and other times we don't. We get the leaflets with the readings from Morehouse Publishing.
That link from Susan S. is amazing! It reminded me of this concert program some friends sang in.
ReplyDeleteYeah, Mimi, I knew that you'd like some of those things. I particularly like the tryptich(or is it triptych) that is in the museum in Bruges...the modern angels not so much.
ReplyDeleteI was trying to figure out how to search and just entered "biblical Revelations." Some of the sites that popped up were really weird!
Yes, Ed, AVE is a great group. Did you hear this concert or just talk to your friends? Who do you know in the group? They perform at our church (St. Mark's, Berkeley) among other places. I've known Jonathan Dimmock for years!
Ed, I've seen the "Beatus", the manuscript at the Cloisters, opened to the page of the day. I wish I could have heard the concert.
ReplyDeleteSusan, the reason I didn't look was that I couldn't think what to type into Google. You solved that quickly.
This a quote from the site:
The author created a narrative that is startlingly physical, evoking the senses of sight, hearing, taste, and touch.
That's the truth.
Susan, I was *really* sorry not to be able to hear that concert, it was such an interesting concept. Although I know a number of the singers, Susan Judy and Christen Herman are especially good friends and colleagues. They love Jonathan and the AVE gigs.
ReplyDeleteDurer did a large woodcut of the scene:
ReplyDeletehttp://www.conncoll.edu/visual/Durer-prints/apocalypse.all/big/Box%2022-10.jpg
The image blows up well to show detail
Lapin, thanks. Dürer got in all the details, didn't he? I was lazy; I didn't try hard in my search, but y'all have helped me see what I wanted to see.
ReplyDeleteAnd you're right, Blake did do it:
ReplyDeletehttp://www.tate.org.uk/britain/exhibitions/gothicnightmares/rooms/room7_works.htm#elderscrownsdivinethrone
And he did a rendition of Ezekiel's vision:
http://www.tate.org.uk/britain/exhibitions/gothicnightmares/rooms/room7_works.htm#whirlwindezekielvision
Lapin, I got to the first site, but I could not get to the second address. The address goes beyond the space allowed, and I don't pick up the whole address to copy and paste.
ReplyDeleteDo you know how to do links with HTML? If you'd like to see how to do it, go here.
Thanks for the info. I wondered how to do that and tomorrow, when I'm more awake, I'll decypher it. For now, I have uploaded the two images on my Flickr site. They're the first two images.
ReplyDeletehttp://www.flickr.com/photos/65454617@N00/
I like the Blake images best. some years ago we visited Cambridge University, and the Fitzwilliam Library had an outstanding exhibit of Blake's illustrations of maybe one of Milton's works, but I can't really remember for sure.
ReplyDeleteYou are the indirect cause of my being awake half the night humming "Bright the vision that delighted" to myself, trying to remember half-forgotten verses. Thanks! Roger.
ReplyDeleteLapin, don't you love hymns like that one? I call them praise hymns, which riles some folks, because that reminds them of the charismatics. But, I think that we are born to praise the Lord. It's not that God needs our praise, but that we need to do it.
ReplyDeleteSorry about the loss of sleep. I had a late night, too, because I found what I think were flying ants in my bedroom. First, I had to make sure they were not termites, because the exterminators would have had to be called in.
After using a flashlight and a magnifying glass and getting back online to check the difference, I concluded that the bugs were ants and not termites. Then, I had to decide whether I could sleep in the room with the flying ants.
I decided that they were drawn to the lamp and that they would go away once the lamp was out, which is what happened, and I finally went to sleep.
At least, you had a lovely hymn running through your mind.
Sorry about the alternative persona. Yahoo refused to log me on as Lapinbizarre and threw me into this mode.
ReplyDeleteIt is a lovely hymn, so at least I wasn't awake half the night with some infectiously bad tune - something along the lines of "Blame it on the Bossa Nova"?
Let's see if the linking method you sent to me works. If it does, there's some lovely stuff to be had by following this link.
This text is a link to a page on
this Web site.
Cardinal - Lapin, in your new persona, you have mastered the fine art of linking. It's a miracle!
ReplyDeleteThe pictures are lovely. I have not gone through the whole set yet, but I will. Thanks.
I'll keep your double persona in mind. Do you take on a different personality with each name?
Have you read Firbank's last novel, "Concerning the Eccentricities of Cardinal Pirelli"? It's a pretty specialized work. It begins with the Society christening of a police dog and ends as the cardinal expires, naked, presumably of a heart attack, as he pursues an altar boy through his cathedral. Amazingly, the book was published in the late 1920's. Firbank was a major influence on Evelyn Waugh.
ReplyDeleteLapin, honestly, I don't know that I'd want to read the book.
ReplyDelete12 years ago, I made the wrenching decision to leave the Roman Catholic Church because of the child abuse scandal, the cover-up, and hush money pay-offs. Although I had long been something of a rebel Catholic, severing my ties with the RCC was quite difficult for me.
Living in the midst of a heavily RC population, I took flak from close friends of mine, who saw me as one of the damned for leaving. Others were quite nice, allowing that the decision was, after all, mine to make.
A priest, a contemporary I knew since childhood, is now in prison for life for child-abuse. Although neither I, nor anyone close to me has been a victim, I find the subject painful, and I could not read a book like that.
I hope that you understand.
I never assumed that you would want to read the book. Firbank's novels are humorous fantasies, with a degree of double entendre in text and dialog that is surprising for the period in which they were published. There is no element of child abuse in the final scene - merely an aging man chasing a child who can, literally, run and dance rings around him, until he collapses and expires of exhaustion.
ReplyDeleteThe meanings of things often change as popular perceptions change. When I was a student, Flanders & Swann, a British "revue" act, sang a very popular, witty song called "Have some madeira, m'dear" (did you ever hear it?). It would rightly be regarded nowadays as a song that glorifies date rape.
The guy who took the glass photographs - he has a number of other church-related sites on Flickr - is, I believe, the vicar of St. Mary's, Primrose Hill, which is more-or-less the cathedral of Sarum usage High Church Anglicanism. Percy Dearmer, author of "The Parson's Handbook", was one of his predecessors.
Roger? Another persona? I thought you were recommending the book.
ReplyDeleteThe loveliest glass I have seen in person was in La Sainte Chappelle in Paris, and in York Minster.
My christian name, if that constitutes another persona, which I suppose it does.
ReplyDeleteI wasn't recommending the book, which is definitely an acquired taste (it's almost 40 years since I read it), just explaining the derivation of the Pirellian persona. I've not seen the inside of the Sainte Chappelle, but York was pretty well home turf. There are a considerable number of medieval churches in the area surrounding the minster, many of which also contain good old stained glass. I have seen it stated - with what degree of accuracy I know not - that there is more medieval stained glass in York than in the whole of the rest of England. Supposedly Sir Thomas Fairfax, the Parliamentary commander (his immediate successors helped colonize Virginia and settled there) prevented his army from smashing the minster windows when they occupied the city in the mid-1640's. All Saints, North Street has particularly good glass
This text is a link to a page on the World Wide Web.
Check the "Pricke of Conscience" window. Very unusually, it depicts scenes from an anonymous middle English poem about the last 15 days of the world.