The school authorities knew George was gay and partnered and looked the other way, but his marriage is a whole other matter and costs him his job. Ben is retired, and, with their income reduced to Ben's pension and payments from George's private pupils, the two are forced to sell their apartment and live apart until they find a place they can afford.
Ben moves in with his nephew, Elliot (Darren Burrows), wife, Kate (Marisa Tomei), and teenage son, Joey (Charlie Tahan), who live in a smallish apartment, where he shares a room and bunk beds with Joey. George stays in the apartment of his two partying policemen friends, where he sleeps on the sofa, which is difficult when there's often a party going on.
The two men give perfect performances as long-time lovers who remain quite fond of one another, despite the petty annoyances common to all relationships. There's no sex in the film, but the actors show affection for one another in what is perhaps the most believable way I have ever seen in a movie. Marisa Tomei is outstanding as Kate. The film is understated, and the facial expressions and body language of the actors speak as eloquently as words.
Of the three outstanding and memorable movies I've seen recently, I'm sad to say not one was a big money maker at the box office. I hope the earnings from rentals and streaming are sufficient to encourage the producers and directors to continue with such quality productions. The other films are Calvary, with Brendan Gleeson, and Locke, with Tom Hardy, which I posted about earlier.
