Strange In Seattle

From the New York Times comes a story of one of the strangest churches I've ever heard of.

Mark Driscoll is American evangelicalism’s bête noire. In little more than a decade, his ministry has grown from a living-room Bible study to a megachurch that draws about 7,600 visitors to seven campuses around Seattle each Sunday, and his books, blogs and podcasts have made him one of the most admired — and reviled — figures among evangelicals nationwide. Conservatives call Driscoll “the cussing pastor” and wish that he’d trade in his fashionably distressed jeans and taste for indie rock for a suit and tie and placid choral arrangements. Liberals wince at his hellfire theology and insistence that women submit to their husbands. But what is new about Driscoll is that he has resurrected a particular strain of fire and brimstone, one that most Americans assume died out with the Puritans: Calvinism, a theology that makes Pat Robertson seem warm and fuzzy.

Calvinism mixed with macho. Thus it ever was, I suppose, but the style is entirely new. I don't know where to begin to note the twists and contradictions that I see in Driscoll's teachings, nor can I fathom the reason for his appeal.

Driscoll represents a movement to revamp the style and substance of evangelicalism. With his taste for vintage baseball caps and omnipresence on Facebook and iTunes, Driscoll, who is 38, is on the cutting edge of American pop culture. Yet his message seems radically unfashionable, even un-American: you are not captain of your soul or master of your fate but a depraved worm whose hard work and good deeds will get you nowhere, because God marked you for heaven or condemned you to hell before the beginning of time. Yet a significant number of young people in Seattle — and nationwide — say this is exactly what they want to hear. Calvinism has somehow become cool, and just as startling, this generally bookish creed has fused with a macho ethos. At Mars Hill, members say their favorite movie isn’t “Amazing Grace” or “The Chronicles of Narnia” — it’s “Fight Club.”

But wait! There's more.

God called Driscoll to preach to men — particularly young men — to save them from an American Protestantism that has emasculated Christ and driven men from church pews with praise music that sounds more like boy-band ballads crooned to Jesus than “Onward Christian Soldiers.” What bothers Driscoll — and the growing number of evangelical pastors who agree with him — is not the trope of Jesus-as-lover. After all, St. Paul tells us that the Church is the bride of Christ. What really grates is the portrayal of Jesus as a wimp, or worse. Paintings depict a gentle man embracing children and cuddling lambs. Hymns celebrate his patience and tenderness. The mainstream church, Driscoll has written, has transformed Jesus into “a Richard Simmons, hippie, queer Christ,” a “neutered and limp-wristed popular Sky Fairy of pop culture that . . . would never talk about sin or send anyone to hell.”

It's a long article, but quite an amazing read. Driscoll rules with an iron fist and brooks no criticism. I'd guess that the church won't outlast Driscoll, because he is the church and arrogates ever more power to himself. I can't think of much in the way of commentary, but if I attended a service at Mars Hill Church, I'd feel that I was in the middle of a nightmare.

Blame it on Dennis.