Fr Doyle studied all the reports on clerical abuse, including information from more than 6000 victim's attorneys. Regarding the "Woodstock Defense" in the latest John Jay report, Fr Doyle says:
The victim support groups and plaintiffs' attorneys here and abroad are seeing a significant increase in victims who were violated in the fifties and even the forties. As one of my astute friends remarked, these are the victims from the Big Band era so what does that constitute, the "Benny Goodman" defense?There you have it!
Further:
Those who see the main conclusions from the Executive Summary as support for the bishops' blame-shifting tactics are probably right. Yet these conclusions are only a part of the whole story and in some ways they are of minor relevance. The finding that the majority of cases occurred in the 1960s and 1970s can be quickly challenged. It is more accurate to say that the majority of cases reported in the post 2002 period involved abuse that took place in the period from the sixties to the eighties. Its way off base to assume that the majority of incidents of abuse happened during this period. Fr. Gerald Fitzgerald founded the Paraclete community in 1947 to provide help to priests with problems. From the beginning he was treating priests with psycho-sexual issues and in a letter to a bishop he said that 3 out of every 10 priests admitted were there because they had sexually molested minors. Fr. Gerald wrote that letter in 1964. Unfortunately it is difficult if not impossible to do a study of abuse victims between the 30's and the 50's but Fr. Gerald's information leaves no doubt that sexual abuse by priests was a significant phenomenon long before the free-wheeling 60's and 70's. The one constant that was present throughout the entire period from before the 60's to the turn of the millennium has been the cover-up by the bishops and the disgraceful treatment of victims. The John Jay researchers were commissioned by the bishops to look into the reasons why priests molested and violated minors. They were not asked to figure out why this molestation and violation was allowed to happen. That would have been deadly for the bishops and they knew it. (The author's emphasis)
Hallelujah! Fr Doyle emphasizes the distinction between when incidents are reported and when the incidents actually took place, which is a vital distinction to be made.
Fr Doyle adds that while the report was commissioned by Roman Catholic bishops in the US and, in some areas, the researchers give the bishops a pass when they should not get a pass, the report is, by no means, a whitewash. He lists sections of the report which are quite critical of the responses by bishops to the disclosures of clerical abuse. I ask again that you please read the critique in its entirety.
From the National Catholic Reporter:
Tom Doyle is a priest, canon lawyer, addictions therapist and long-time supporter of justice and compassion for clergy sex abuse victims.The public disclosures of child abuse in my Roman Catholic Diocese of Houma/Thibodaux began to come to light in the latter part of the 1990s. The "boiling point", as Fr Doyle names it, was reached in the rest of the US in 2002. The national press paid scant attention to the scandal in south Louisiana dioceses at the time the "boiling point" was reached here. I suppose the media thought what was happening in our area was nothing more than an aberration in a swampy backwater.
Thank you Mimi for this link to Fr. Tom's always candid analysis.
ReplyDeleteAdditional commentary can be found at: http://www.snapnetwork.org/
Thanks for the link, John. I probably have not posted my last words on the report.
ReplyDeleteSo much of this reminds me of the old joke about the man on the train shredding his newpaper and throwing the bits out the window to keep the elephants away. When it is pointed out that there aren't any elephants he proudly asserts his successful endeavors!
ReplyDeleteAbsence of evidence is not evidence of absence.
wv = gratio
something missing from the curia
I was rolling on the floor at the reference to the "Benny Goodman Defense".
ReplyDeleteThe curia is missing something, Tobias. The hierarchy of the RCC do not get it. They're still circling the wagons in a defensive position to protect the institution.
Mimi, that is hilarious, even in this sad and sober subject.
ReplyDeleteThe evils of Jazz and Swing, don't you know!
Well -- the Curia must have their knickers in a twist that the John Jay report says that homosexuality had NOTHING to do with the issue. Probably will result in it being deemed useless.
ReplyDeleteTobias, that jazz and swing stuff was bad. People danced to the music.
ReplyDeletesusankay, I wonder when the pope will lift the ban on gay men entering RC seminaries now that he knows.
My 97 year old grandmother went to her grave convinced that ragtime began the long slide into decadence.
ReplyDeleteShe had a point. That music was first heard in bawdy houses.
If anyone bothered to look, I would imagine that abuse of minors goes way back in the history of the Catholic hierarchy. For centuries, the Sistine choir served as a harem as well as church choir.
Counterlight, there you go. Your grandmother may have been right. Perhaps ragtime is the reason we are where we are today. Jazz, blues, they all started out in the Red Light District.
ReplyDeleteThink of all the nude cherubs and putti in Italian Renaissance and post-Renaissance paintings and sculptures. What was all that about?
Oh, no, Mimi, I blame the backside of the Apollo Belvedere from the Vatican! (I saw it in the Vatican exhibit on tour some years back at the Met.) Cardinal della Rovere no doubt spent many a happy hour in conetmplation! (See his now as portrayed by Colm Feore in Showtime's The Borgias! -- end of commercial announcement).
ReplyDeleteBTW I was unable to find an online pic of the Apollo's backside. People seem more interested in the
(I saw it in the Vatican exhibit on tour some years back at the Met.)
ReplyDelete...and it changed your life, Tobias? I couldn't find a photo from the rear either.
When my friend and I saw the statue of David in the Academy in Florence, she thought his buns were his most excellent feature.
Alas, we don't have Showtime. I know. We miss good stuff. My consolation is that eventually the episodes will be on DVD.
No, not life changing, but certainly leading me to spend more time in that section of the gallery than I might otherwise have done!
ReplyDeleteSorry you aren't able to watch the Borgias. Do catch it on dvd. Like the earlier Tudors there's some historical hash, but at least they don't try to make everyone look pretty -- though some of the actors to bear striking resemblance to High Renaissance portraits.
Apollo Belvedere is gorgeous, I must say.
ReplyDeleteI'll catch the Borgias later.
Hard to find something to say on this topic. The Roman Church is so determinedly, one might even say evilly, bone-headed on the subject. As I've said before, their Bible must lack the passage about millstones around necks.
ReplyDeleteSad that the Barberini Faun passed to Urban VIII's cardinal nephews rather than to the Church's collections. It would look resplendent in the Vatican. And, I doubt not, be appreciated by not a few of its residents.
Having admired the Apollo Belvedere last month (Bill said "he IS a god"), I am sorry to say it is roped off so one cannot circumambulate. But I remember the tour and and though "bel+vedere" indeed. Awesome. Erotic as all get-out yet transcending mere lust. My first love remains the Dying Gaul, however, and I will post myself on that.
ReplyDeleteMichelangelo's Dave gets my vote for ultimate marble hotty.
ReplyDeleteI remember when I was studying in Florence 20 years ago, a pair of young German women I knew would spend every June afternoon in the Academia sitting on a bench near Dave comparing young male visitors to the statue. They said that a few of them actually passed the test.
Sitting in the Loggia dei Lanzi behind Cellini's Perseus can be a very rewarding experience too.
ReplyDeleteHowever, Cellini's Perseus is to Michelangelo's David what Jayne Mansfield is to Marilyn Monroe.
ReplyDeleteDavid did absolutely nothing for me, I am sad to say. But several other pieces of marble did. I find Bernini's David more exciting.
ReplyDeleteHmmm...what's going on here with the statues?
ReplyDeleteMengs borrowing of the Apollo Belvedere for his 1760's Apollo & the Muses fresco reduces it to a kitsch identity (and yes, I know about the "birth of neoclassicism" thing) from which it is very hard indeed to retrieve it.
ReplyDeleteWv "tomato" - how did a word in common usage make it through?
Lapin, ugh! to the painting.
ReplyDeleteI've had the occasional real word in WV.
Let's just say, Mimi, that I now understand the story of Pygmalion and Galatea. You've seen the statues. Seeing them on my trip was an, er, emotional experience.
ReplyDeleteBernini's David? That ham actor?
ReplyDeleteSeeing them on my trip was an, er, emotional experience.
ReplyDeleteEmotional, was it, Paul? :-)
I fell in love with a tombstone effigy of a Roman soldier at Hexham Abbey. Unfortunately, I didn't take a picture. The effigy is not Roman, but rather an English carving from a later period in the Roman style, but it was wonderful. So I fully understand Pygmalian and Galatea story.
Counterlight, I'll let you two duke in out over the Davids.
This one? If so, it is Roman
ReplyDeleteLapin, no, not the Flavinus gravestone, which I know is Roman. The slabs were done later in the Roman style.
ReplyDeleteWhat can I say, Doug? This trip converted me to Bernini (and I have always had a dim view of Baroque). He is very dramatic, though the Aeneas grouping is restrained yet very moving. (I wept, but then, I was quoting lines of the Aeneid and reliving the Fall of Troy in my mind.)
ReplyDeletePerhaps a truce? We each have a David to enjoy.