For those of you who have not seen the series, I realize that my posts on
Brideshead will interest you little or not at all. The thing is that I'm feeling a bit stale about blogging, and if I feel stale, then my writing is likely to be stale. Watching the entire series is something of a retreat from blogging until I no longer feel stale. At least, that is my hope. In a way, my immersion in the series is a retreat from the world, too, which I suppose is what a retreat is all about. And it's hardly as though there isn't enough to write about and enough to do in the world.
I'm particularly sad that the staff of St Paul's Cathedral in London at first welcomed the Occupy London protestors but are now asking them to move along. As Doug at
Counterlight's Peculiars says:
The canons of St. Paul's Cathedral in London decided to close the cathedral indefinitely for the first time since World War II. During the height of the Blitz, the cathedral closed for only 4 days. They cite all kinds of safety concerns for visitors as well as for the protesters. I cannot help but think that this is a melodramatic over-reaction. Camped out protesters are hardly German incendiary bombs raining down out of the sky.
Anyway, I digress. I watched the next-to-last episode of
Brideshead, in which Bridey, the elder son of the family, is finally engaged to be married to a devout Roman Catholic widow with three children. Bridey cannot bring his fiancée to visit the castle, which is now occupied by his sister Julia and her husband Rex. Julia is 'living in sin' not only because she is married to a divorced man, but she is also having an affair with Charles Ryder, Sebastian's old friend, who is also married. Yes, it's a bit of a tangled situation, but what a pompous stuffed shirt Bridey is.
Poor Julia. She's wretched when Bridey tells her. The video above shows just how wretched. For all their straying from the fold, Julia and Sebastian are haunted by their religion in a way that, to me, does not at all square with the Gospel. Past sins drag them down to the point that neither sees the way to redemption and a new beginning.
As much as I love the series and think it a masterpiece, Waugh's skewed view of what it means to be a Christian permeates both the series and his novel on which the series is based. Waugh's beliefs seems very familiar to me, because I was taught the same way as I grew up attending Roman Catholic schools for 16 years of my life. Not until my 30s, did I began to throw off the strictures and the guilt, which resulted from not following the rules. Even today, guilt is somewhat of a habit, although I don't suffer from it nearly as much as I once did. Thanks be to God.
Now on to the final episode, in which Lord Marchmain returns to England and Brideshead with his mistress Cara because World War II is fast approaching. (I started to say, 'The storm clouds of WW II were gathering,' but thought better of using the words, as they would surely be evidence of cliché and staleness.) Marchmain returns in poor health, and the final episode includes the scenes surrounding his last illness and death. The video below shows the heathen Charles and the family discussing the necessity of having a priest give the last sacrament to the dying Lord Marchmain.
