Caravaggio, "Penitent Magdalen", c. 1596-97, Doria Pamphilij Gallery
As I searched for a painting to illustrate my post on the feast day of Mary Magdalen late yesterday, I found the painting pictured above. Although Caravaggio is one of my favorite artists in the world, I didn't use the painting, because the Gospel for the feast tells of Mary seeing Jesus at the tomb after his Resurrection, and the penitent Magdalen did not illustrate the story.
But I chose not to use the painting for another reason, because the painting puzzled me. Something seemed to be missing. Was Mary looking down at someone/something that had been painted over? Her pose suggests that of Mary in Michelangelo's "Pietà ", and I wondered whether Caravaggio had not painted Mary holding the dead Christ and then overpainted, or perhaps he means to suggest something of the sort.
The source of the picture above is Philolog at Standford University's website. In the commentary which accompanies the picture at the site, no mention is made of overpainting, so I suppose my initial thought is without foundation. And, very likely, I'll never know for certain if Caravaggio meant to suggest something that is not explicit in the painting or what that something was.
Counterlight! Calling Couterlight! Doug's (aka Counterlight) recent post on Caravaggio, with illustrations and commentary, is excellent and well worth a look.